Called the most
"overtly political musical since The Cradle Will Rock" with political references that sound very familiar to those of us commenting on the current regime,
Wicked can be read on many different levels. For those of you who don't frequent Broadway or
Broadway in Chicago, as Mayor Daley, in a very second city-ish sort of way, renamed Chicago's Theatre District,
Wicked is a musical running completely sold out all summer and into the fall at the Oriental Theatre (not-so-strangely and for profit, renamed the Ford Center). It tells the back story of the
Wizard of Oz, specifically
the relationship between Elphaba, the Wicked Witch of the West, and Glinda, the Good Witch of the North.
Although vehemently denied by its producers, one can easily see political messages and references to current events. Democrats will see the Wizard as Rove lying about everything and the robotic head he manipulates as Bush and republicans will see the Wizard as Bill Clinton lying about Monica and name the green witch Hillary without realizing that the green witch is the good witch, but the fact is that the musical is based on
a book that was started in 1991 by a guy whose parents didn't even let him watch Leave it to Beaveras a child, so he read books, one of them being
The Wizard of Oz. References to our current circumstances probably only mean that our experiences, although extraordinary to us, are still somewhat universal.
On another level, one easily sees the animal rights theme translating into minority rights. In
Wicked, Elphaba (played in Chicago by SNL's Ana Gasteyer), different herself because of her green skin color, gets her start as a student animal rights activist. No, she's not trying to keep them from becoming dinner, but from losing their professorships and their political voice. Apparently, in Oz at one time, animals were as literate and articulate as people, and a little bit more. After some political strife caused by a drought, the animals begin to lose their political and literal voice and her beloved professor, a goat, is fired. Elphaba, seeing the injustice, tries to rescue a cowardly lion cub and her goat professor, but is dubbed the Wicked Witch as she unwittingly casts one of her first spells to make monkeys fly and dooms them to lives of servitude. (So that's where those flying monkeys that scared me as a child came from!). Once deemed Wicked by the impelled majority, the lies get bigger and stranger (one that she can be dissolved in water) and Elphaba is forced into hiding and covert political operations.
Yet another level of the story shows us how the governed are easily manipulated and used similar to the story of the original
Wizard of Oz which, before watered down by Hollywood for kiddie consumption, was the tale of manipulation to the gold standard from the silver standard during the Populist Era.
Wicked takes it further with its story of a people lied to and work up into a frenzy that causes them to destroy everything that doesn't conform to Wizard-approved Oz society. Worse, Ozzians seem to crave the lies and desire the destruction. Elphaba tries to live the truth and the people try to destroy her for it. Glinda the Good Witch eventually learns the complexity of the world and ultimately wants to reveal the truth and love Elphaba as a dear friend, but cannot because her people don't want the truth.
There is another level to
Wicked that really interested me being the questions what is wicked and what is good. At school, shy and outcast Elphaba is forced to room with Galinda (who later changes her name to Glinda), a pretty and popular, goody-goody blonde who only wears white and thinks everything is wonderful and that she, herself, is the most wonderfulest. Pronouncing everything wrong is a Bushian sort of way, Galinda seems to be the proverbial good is really bad, but sometimes Galinda is really bad and then she's sort of good, at her best when bad, bad at least by Ozzian standards. Elphaba, the Wicked Witch, isn't wicked at all until she decides to be in a life changing scene called
No Good Deed Goes Unpunished and then has trouble staying bad because it's not in her nature.
In
No Good Deed Goes Unpunished, Elphaba realizes that good deeds are envied and suspected all at the same time and can go terribly wrong despite a good motive, or maybe the motive isn't solely for the good after all:
One question haunts and hurts too much. Too much to mention: Was I really seeking good or just seeking attention? Is that all good deeds are when looked at with an ice cold eye? If that's all good deeds are maybe that's the reason why...
The moral of the story seems to be that some bad is good and some good is bad and some good is really good and shouldn't be suspected and it's just hard to tell when exists which or which is witch. Ultimately good can be done, but only quietly and behind the scenes.
I enjoyed
Wicked more for the message than the music. The producers shouldn't run away from the political themes because they are the piece's strong point. Ana Gasteyer is loaded with personality and owns the character of Elphaba through her insight and humor, but is not the best singer or dancer. Kate Rainders as Glinda has enough Broadway baby for the both of them, though and the ensemble is terrific. The songs are so so, but the dialogue is great, the costumes are great, the scenery and lighting are great and that means a lot to this former Niles East Theatre Jock.